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The main character Abu Saqr, played by popular Jordanian comedian Musa Hijazin, portrays an oppressive father of four who rules his household with an iron fist, dismissing the needs of his wife and children and denying them any rights of expression.
With the domestic edicts he imposes on his family, Hijazin parodies the authoritarian regimes that have prevailed across the Arab world.
"The play is a message to Arab regimes that they need to learn lessons from the Arab Spring. Regimes need to listen to people and their demands before losing control," scriptwriter Ahmad Zubi told AFP.
"It tells the story of Arab people and expresses their feelings. I did not hesitate or fear anything when I wrote the script. But no matter how bold we are, we cannot be bolder than the millions of people who demonstrated for freedom."
Wearing a traditional red-and-white keffiyeh, or headscarf, and sporting a thick moustache, the stocky government employee Abu Saqr bans his family from doing many things.
"What's this nonsense talk I keep hearing about dignity and freedom? Where did you hear it? That's it, no more satellite television channels," he tells his wife and kids, to eruptions of laughter from the audience.
But when his brother comes from Canada on a visit, Abu Saqr launches a torrent of complaints about almost everything, from the slow pace of reform and fight against corruption to the controversial nuclear plans and privatisation programme.
He uses metaphor to harshly criticise the government and make fun of ministers randomly appointed to please the politicians, regardless of their qualifications.
"Our government should be sent to prison," he tells his brother.
In one scene, actors playing ministers depict a government reshuffle, and the interior minister takes an oath of loyalty to the nation.
-- 'Now I understand you' --
"Except Fridays," Abu Saqr quips at the swearing in ceremony, referring to the deadly use of force often employed against Arab protesters demonstrating on the weekly Muslim holiday.
The play has drawn a diverse audience -- even King Abdullah II and his wife Queen Rania have attended, as well as government officials, who were seen delighting in its satirical humour.
"His majesty attended the play and he burst into laughter. He told us: 'I support you and I am happy,'" Hijazin told AFP.
"Several officials have asked us if we censored the script. We told them that we did not remove one line.
"We are trying to tell decision makers in the Arab world that they need to listen to their people before it's too late," said Hijazin, who also sings sad songs during the show and cries about the Arab causes.
The audience was thrilled.
"I heard a lot about the play but I did not expect it to be that good. I enjoyed it. It was very funny," said Jamal Ahmad, 25, with a big smile on his face.
Others praised the performance for its more sober message.
"It's the first time I've seen such a serious work in Jordan. The play was frank and candid. It talked about many of our concerns," Abdullah Omar, 30, said.
Meanwhile, Abu Saqr's wife calls him to say that their elder son Saqr is leading a demonstration inside their house.
"Leave means leave. We want our freedom back," reads a banner that Abu Saqr's sons hold as he comes home.
"Where should I go? To Sharm el-Sheikh or Jeddah?" their father asks, referring to the Egyptian resort that ex-president Hosni Mubarak and his family moved to after his resignation, and the Saudi coastal city where Ben Ali sought refuge.
"Listen to me, I have an offer. Now you can watch television for three-and-a-half hours a day, and your mother can visit your grandmother," Abu Saqr tells his mutinous family, in a vain attempt to face down their demands.
Wearing just his underwear and carrying a large picture of himself, as well as his old swords and whips, Abu Saqr gives up.
"Now I understand you," he says, before leaving.
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With the domestic edicts he imposes on his family, Hijazin parodies the authoritarian regimes that have prevailed across the Arab world.
"The play is a message to Arab regimes that they need to learn lessons from the Arab Spring. Regimes need to listen to people and their demands before losing control," scriptwriter Ahmad Zubi told AFP.
"It tells the story of Arab people and expresses their feelings. I did not hesitate or fear anything when I wrote the script. But no matter how bold we are, we cannot be bolder than the millions of people who demonstrated for freedom."
Wearing a traditional red-and-white keffiyeh, or headscarf, and sporting a thick moustache, the stocky government employee Abu Saqr bans his family from doing many things.
"What's this nonsense talk I keep hearing about dignity and freedom? Where did you hear it? That's it, no more satellite television channels," he tells his wife and kids, to eruptions of laughter from the audience.
But when his brother comes from Canada on a visit, Abu Saqr launches a torrent of complaints about almost everything, from the slow pace of reform and fight against corruption to the controversial nuclear plans and privatisation programme.
He uses metaphor to harshly criticise the government and make fun of ministers randomly appointed to please the politicians, regardless of their qualifications.
"Our government should be sent to prison," he tells his brother.
In one scene, actors playing ministers depict a government reshuffle, and the interior minister takes an oath of loyalty to the nation.
-- 'Now I understand you' --
"Except Fridays," Abu Saqr quips at the swearing in ceremony, referring to the deadly use of force often employed against Arab protesters demonstrating on the weekly Muslim holiday.
The play has drawn a diverse audience -- even King Abdullah II and his wife Queen Rania have attended, as well as government officials, who were seen delighting in its satirical humour.
"His majesty attended the play and he burst into laughter. He told us: 'I support you and I am happy,'" Hijazin told AFP.
"Several officials have asked us if we censored the script. We told them that we did not remove one line.
"We are trying to tell decision makers in the Arab world that they need to listen to their people before it's too late," said Hijazin, who also sings sad songs during the show and cries about the Arab causes.
The audience was thrilled.
"I heard a lot about the play but I did not expect it to be that good. I enjoyed it. It was very funny," said Jamal Ahmad, 25, with a big smile on his face.
Others praised the performance for its more sober message.
"It's the first time I've seen such a serious work in Jordan. The play was frank and candid. It talked about many of our concerns," Abdullah Omar, 30, said.
Meanwhile, Abu Saqr's wife calls him to say that their elder son Saqr is leading a demonstration inside their house.
"Leave means leave. We want our freedom back," reads a banner that Abu Saqr's sons hold as he comes home.
"Where should I go? To Sharm el-Sheikh or Jeddah?" their father asks, referring to the Egyptian resort that ex-president Hosni Mubarak and his family moved to after his resignation, and the Saudi coastal city where Ben Ali sought refuge.
"Listen to me, I have an offer. Now you can watch television for three-and-a-half hours a day, and your mother can visit your grandmother," Abu Saqr tells his mutinous family, in a vain attempt to face down their demands.
Wearing just his underwear and carrying a large picture of himself, as well as his old swords and whips, Abu Saqr gives up.
"Now I understand you," he says, before leaving.
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